Alaskan Writer Promotes Three Books Simultaneously

Michael Engelhard has three new books out in 2024. Two are based on his life in Alaska and published by Pacific Northwest companies: the memoir Arctic Traverse (Mountaineers) and What the River Knows (Hancock House), an essay collection.

His third book this year explores the Grand Canyon. For No Walk In The Park:Seeking Thrills, Eco-Wisdom, And Legacies In The Grand Canyon. Michael decided to publish the book himself under the imprint Corax Books.

Trained as a cultural anthropologist, Engelhard has worked 25 years as an outdoor instructor and wilderness guide in Alaska and the canyon country. He is the author of 12 books.

Throughout the year, Engelhard plans to strategically schedule events to cross-promote all three titles simultaneously. We recently did an interview via email on how he came to have three books out in one year and what’s the best way to promote that many titles. You can learn more about all his titles at michaelengelhard.com.

Photo of books courtesy of Michael Engelhard

Interview with Michael Engelhard

Why did you settle in Alaska?

I came to Alaska as an exchange student from Germany in 1989. I had wanted to live “up north” for a very long time—too much Jack London at a susceptible age you could say. I fell promptly in love with cabin life in Fairbanks, the Native cultures, and the immense swaths of public lands, especially in Alaska’s Arctic, all of which have inspired me ever since. My memoir Arctic Traverse and the essay collection What the River Knows are only the latest in a number of books and articles that have sprung from my fascination.

Why did you decide to bring out three books this year?

For starters, 2024 marks the centennial of the first official Wilderness (in the Gila National Forest, New Mexico), pushed for by the proponent of a “land ethic,” Aldo Leopold, a whopping four decades before the Wilderness Act. And most of my writing and much of my life is centered on the dual concept of wildness-wilderness. So, publishing three books on the subject this year feels like an appropriate commemoration. On a practical level, it allows me to cross-promote these books simultaneously.

Which came first: wilderness guide or writer?

 Actually, anthropologist came first. Working with Alaska Native peoples, I discovered an interest in storytelling and what I call “the symbolic dimensions of landscapes” —place names and related myths, cognitive maps and ways of wayfinding, the lived experience of a landscape beyond subsistence activities. I only became a wilderness guide after I taught briefly at the university and found that for me, an indoor classroom is not the best setting to educate (and entertain) people. Also, while I worked on my Ph.D. I spent more and more time in front of computers and less in the outdoors, doing fieldwork.

What has been the greatest challenge in promoting your work?

It is hard to decide what kind of thing to focus on: ads, reviews, guest blog posts, excerpts, podcasts, interviews, readings, appearances at conferences and book festivals, etc. The efficiency of these promotional activities can be hard to determine, since sales reflect their cumulative effect. Currently, my biggest challenge is to promote my Grand Canyon book, No Walk in the Park, while living in Alaska.

What do you think is the easiest thing for an author/publisher to do to promote new works?

It’s important to cultivate personal relationships in the industry over the years, with people very likely to respond positively to a particular new book, to prevent having it end up in the slush pile. The easiest thing that works, for an author, is to meet his or her readers at book events. You’re trying to sell yourself as much as you do a book.

Photo of Michael Engelhard at book signing courtesy of author.

PNBA Exhibitor Registration Opens

Pacific Northwest Bookseller Association’s September tradeshow returns to Oregon in 2024. Show dates are September 29 to October 1 at the Holiday Inn on the Columbia River, Portland, OR. Attendees will be bookstore buyers and librarians from the Pacific Northwest. Publishers and those serving the bookstore trade are encourage to display their upcoming titles as well as backlist.

The schedule is once again designed to keep attendees focused on reps and the show floor during all exhibitor hours, says PNBA’s recent call for exhibitor registration. PNBA will promote a profile of each exhibiting company on the official Tradeshow page.

Exhibitors will also receive website and show program listing for any author appearing in their home space during the first night Explore the Floor reception.

For details and more information on tradeshow, see pnba.org/venregform.html.

Exhibitor registration must be completed by July 12, 2024.


Have Fun in June at Kent Nerd Party

Local authors and indie publishers specializing in science fiction, fantasy, and horror will be partying in Kent on June 1. The Kent Nerd Party features a cosplay contest, Lego museum, indoor and outdoor vendors, and more. Small businesses on 1st Ave S and Meeker St will host local makers, artists, authors, and exhibits.  

Among the authors expected is Nathan Crowder, creator of Cobalt City (currently being published by DefCon One). Meet the creators of Offscript, a podcast where the hosts read different books that have been adapted, watch the corresponding movie, and compare the two. Participating Kent businesses include Retro Emporium featuring vintage 80s/90s collectibles and retro themed goods; Page Turner Books offering sci-fi, fantasy, mystery, movies, and more; Big Wu’s Gym hosting SeaLUG; and Sweet Themes Bakery serving sweet, nerd-themed treats!

The fun begins at 2pm on Saturday, June 1, and runs until 7pm. Vendor tables will be located inside and outside vendors on 1st Ave S between W Gowe St and E Titus St. The Kent Nerd Party takes place throughout downtown Kent at participating businesses.  

To learn more, visit www.downtownkentwa.com/event/meeker-street-nerd-party-2/.

Seattle Art Book Fair Returns in May

May’s sunshine not only brings out the flowers, it also marks the start of festival season in the Northwest. The 2024 Seattle Art Book Fair recently announced their lineup of 80+ artists, designers, publishers, and for their May 11-12 event at Washington Hall in Seattle.

This free annual festival celebrates independent publishing, book design, and books-as-art. Check their website or follow them on Instagram for more information on the 2024 programs and exhibits at https://www.seattleartbookfair.org/.

Seattle Art Book Fair

SABF’s published list of exhibitors and participants reads as follows:
51 Personae // A is A // A. T. Pratt // Adelaide Blair // afterhours // Alder & Frankia / Impractical Labor (ILSSA) // Amalgam // ANEMONE // Anna Moore // Are Not Books // & Publications // Awkward // Ladies Club // Bad Student / Future Fellow // Robert Baxter & Co. // Benschop Books // Berm // BEST KEPT SECRET // Body&Forma // Bored Wolves // Broccoli // Carletta Carrington Wilson // The Cauldron Press // Chin Music Press // Cold Cube Press // The Corners of Their Mouth Press // Cornish College of the Arts, Design Department // Crackling.Co // Crow Design Studio // Curious Publishing // Current Editions // Ediciones Concordia Mx // Editions // Erika Rier // Errant Press // Fillip // G.U.P.I. // Gelkheht (Yewon Kwon & Benjamin Kraco) // Girl Noise Press // Historical Seditions // HOMOCATS // horse gurl press // Insert Press // Irrelevant Press // Issue Press // Jason Hendardy // Keep On! Creative // Late Night Copies Press // Leobardo Bañuelos Jr // Living Room Press // Mara Gervais // michelle ho // Mirrored Society Books // Moniker Press // Monograph Bookwerks // National Monument Press // NEOGLYPHIC MEDIA // New Documents // Nick Thompson // NIGHTED // Ouroboros Press // Paper Press Punch // Photoverge Studios // play.ground // PM Press // pocket press // Popla1000 // PrintED Studio 印得物工作室 // Raspberry Bow Press // Risolana // RITE Editions // self.img // Set Margins’ // sick sad trans fags // Skylark Editions // Snack Break Studio // Siempre Snack Time & Slow Nights Studio // Sybil Press // Taxonomy Press // Temporary Services / Half Letter Press // Tiny Splendor // Track and Field // UW Division of Design // Wave Books // Winter texts // Wonderfolio // Zine Hug // Zines4Queers // Community Tables: ARCADE Magazine // Books to Prisoners // Center for Contemporary Art // Folio Seattle // The Garfield Messenger // Puget Sound Book Artists // Real Change Newspaper // SPL ZAPP Zine Archive

Celebrating Procrastination in Publisher’s Podcast

Oregon poet, author, publisher, and podcaster Benjamin Gorman decided to do something different with his weekly podcast featuring writers. The result was Writers Not Writing, which has received more than 10,000 views on YouTube and is available for download from all the podcasting platforms. Rather than dive into craft or how to be published like other podcasts, Gorman concentrates on what writers do when they are procrastinating…or perhaps just living a fully rounded life.

We wanted to know more about what Gorman does when he is not podcasting, including his publishing company Not a Pipe Publishing and how the podcast came to be. Following is a recent interview via email.

Please tell us about Not a Pipe Publishing.

Not a Pipe Publishing is an indie press located, fittingly, in Independence, Oregon. We started off publishing exclusively sci-fi and fantasy for adult and YA audiences, but we’ve expanded into paranormal and horror, a thriller, a bunch of anthologies around different themes, and collections of poetry. 

How did you come up with the “Not a Pipe” name?

The name of the company is a reference to René Magritte’s famous painting “The Treachery of Images,” the one with a pipe on it that says (in French), “This is not a pipe.” The painting is about how an image of a thing isn’t the thing itself, and I thought that would be perfect for a company which publishes fiction. One of our central animating principles is that fiction isn’t an accurate description of the world but can tell deeper truths. 

What inspired you to start the Writers Not Writing podcast?

I’d been a guest on many podcasts and a few TV shows, and while I’m grateful to all those interviewers, I found that I kept responding to the same questions about writing process. That’s great for other writers, but I suspected the lines of questioning weren’t very entertaining for readers. I wanted to create a show that is reader-focused, so instead of asking writers about how they write, I ask them how they do something every reader also does: Procrastinate.  I think the show helps readers get to know authors as more well-rounded human beings, and I hope that makes the viewers/listeners more interested in checking out our work. 

How many writers have you interviewed?

As of this writing, we’ve aired 65 episodes, but I try to keep a little ahead, so I’ve recorded 70. It’s been a wonderful experience because I’ve been able to meet these big-name Emmy winners and New York Times best-sellers, and also authors who are just starting out in their careers. I like to keep that mix because everyone has a unique collection of fun procrastination behavior.  

Do you hear any common themes?

One question I always ask authors is what they’ve been daydreaming about, and I’ve appreciated the common recognition that daydreaming, while it can feel like procrastination, is an essential part of the work we do. Authors have fascinating answers ranging from the weirdest flights of fancy to very practical wonderings, and it’s great to contemplate how those inform their work.

What do you think is the greatest challenge facing indie authors and publishers?

I think the publishing industry is going through a transition that’s very similar to what the music industry experienced with the rise of Napster. Before, music was limited to what a small number of gatekeepers allowed. Suddenly everything was accessible, and anyone could throw their music out into the world. That was wonderful for listeners (at first) because there was this glut of great stuff, but it made it so difficult for artists to break out, and then it made it nearly impossible for artists to make a living creating their art. Those pressures then become bad for music listeners (and now readers), because the quantity of work is huge, but it’s being created by people who are essentially donating it to the world. That’s not good for artists of any kind, and when the artists are exploiting themselves, it ultimately isn’t good for readers, either. I suspect that, like iTunes, we’ll eventually settle on some other gatekeeping method that will allow some people to get attention without those decisions being made by a bunch of white, male billionaires picking from among their friends. Instead, it will be white, male billionaires choosing from what they see bubbling up from a much larger pool. That’s still far from perfect, but it will lead to more diverse literature that will be at least slightly more representative of the readers (who are predominantly women and disproportionately people of color) while providing more authors a living wage. I hope indie authors and publishers will play a vital role in that future ecosystem, creating meaningful connections between authors and readers on smaller scales, like the bands that are figuring out ways to make ends meet by doing live shows in more intimate venues rather than selling out arenas and living off of hit albums. We’ll see. I could be overly optimistic. But I hope we’ll find ourselves in a world of more public readings and more intimate signings at small, independent bookstores. It’s a tight time for indie publishers and indie bookstores now, but I really hope the ones who can weather this tenuous time will be the places readers look to when they want to find the voices of their own communities in a future of homogeneous, AI generated schlock. 

For those who want to learn more about Not a Pipe Publishing, where can they find you?

Please come learn more about our authors and their marvelous books at www.notapipepublishing.com We have some great novels we’ll be releasing this year by Amanda Cherry, Beth Gibbs, and Karen Eisenbrey. We’re also publishing our first translation, a powerful collection of poetry by the renowned Mexican poet Verónica Arredondo translated by A.A. deFreese. And we just released a beautiful collection of found poetry and art by Jennifer Rood. There will be cover reveals, launch parties, and signings for all of these, so check out the events page on the site or follow us on any of the social media apps. (We’re on all of them. It’s awful, but we have to go where the readers are, so please follow us to make it worth our while!)

Links to Writers Not Writing can be found at http://www.notapipepublishing.com/writers-not-writing-show.

Lost Loves Books maintains Book Publishers Northwest News. If you’d like to help, you can tip us through PayPal.

Seattle Literary Events Calendar Launched

Seattle City of Literature started a calendar in February “to celebrate the people and organizations that make Seattle a UNESCO designated City of Literature.” Organizations are encouraged to contribute information on “all literary adjacent events open to the public — readings, workshops, open mics, comics classes, discussions, lectures, youth programs, book clubs, residency deadlines, festivals, talks, plays — anything you might dream up that’s “literary” in the loosest sense,” according to the announcement.

Seattle City of Literature aims to email a biweekly digest of all the literary events listed to their subscribers.

“The calendar will also serve as an important way to benchmark the health of our literary community and track all of the events that are happening every year,” said José L. Montero, President of the Board, Seattle City of Literature.

More information about the organization and its new calendar can be found at www.seattlecityoflit.org/community-calendar.

The UNESCO Cities of Literature network of 53 cities represents 6 continents and 39 countries, and a combined population of over 26 million. Seattle received its designation in 2017.

Map of the current Cities of Literature from the UNESCO press kit about the program.

2024 Portland Book Festival Looking For Authors

The Portland Book Festival selects featured books for the November event on a rolling basis from now through June. The 2024 festival is scheduled for Saturday, November 2, 2024. Organizers plan to feature a diverse group of contemporary authors in conversations, panels, and presentations.

Check the Literary Arts website for more details on how to submit your book for consideration at literary-arts.org/about/programs/portland-book-festival/book-submission-guidelines/.

Literary Arts must receive complete submissions by June 14 for consideration. All selected authors will be contacted by September.

Note that the consideration for self-published titles uses the same criteria as traditionally published books. For the 2024 festival, Literary Arts will not accept self-published titles that exist only in ebook format.

Screenshot of Festival’s submission page.

Humanities Montana Supports Storytelling

Humanities Montana is encouraging local historians, cultural knowledge keepers, scholars, and storytellers to submit proposals to expand knowledge and understanding of Montana’s diverse culture and history.

If interested, check the 2024 Mini-Grants and Community Project Grants webpages at humanitiesmontana.org. A recent letter about grant opportunities emphasized the organization is particularly interested in “projects that engage youth in living history experiences.”

Humanities Montana also announced the state’s oldest county library, Chouteau County Library — Fort Benton, received a $500 stipend to support “Community Conversations.” In April, the library will host an “Everyone Reads” book discussion to help community members get to know one another.

Cowboy photo by Yuri B at Pixabay.

Start 2024 With A Marketing Class

The Society of Children’s Book Writers and Illustrators (SCBWI) Western Washington chapter is offering a free online class on marketing this month.

In his class, Northwest writer Will Taylor promises to explore: “How to optimize marketing efforts via language tricks, framing, and behavioral science. How to create simple systems that take the guesswork out of marketing and leave you reassured, relaxed, and ready to focus on your real work. Come learn to make your marketing process easier, more fun, and more effective!”

Taylor is a published author of stories for “current and former kids.” More about his books for Scholastic and Harper Collins can be found at willtaylorbooks.com. He also works as a copywriter for Fran’s Chocolates, the Museum of Pop Culture (MoPOP), and LAIKA Studios.

The Saturday, January 27, class takes place at 1pm PST on Zoom. Register for free at https://www.scbwi.org/events/make-marketing-work-for-you-with-will-taylor.

Bookstores On The Move in 2024

Where would indie writers and publishers be without indie bookstores? Pacific Northwest Booksellers Association recently announced the following moves and, sadly, one closure.

Tacoma will have a new bookstore in 2024: Grit City Books. Established online in 2023, the owners plan to open at 3116 Sixth Ave in the spring. Find out more about the owners and their plans in Shelf Awareness. PNBA also reported another new Tacoma member, the pop-up bookstore Lucky Duck Book Shop.

In Corvallis, Oregon, Grass Roots Books & Music will be moving to a new location in 2024. Established in 1971, the store offers a wide range of books and free shipping for online orders. Keep an eye on their website for updates at grassrootsbookstore.com.

Longtime Seattle bookstore East West Books & Gifts relocated to Edmonds at the end of 2023. Located at 110 Third Ave. N, East West continues to offer a full array of metaphysical books and related items. Once again, they are hosting a packed events calendar too. According to their website: “Edmonds is such a beautiful town with its welcoming people, making it a fantastic destination to visit. We are beyond grateful to be able to reopen East West in this amazing community!” Find out more at the website, still called eastwestseattle.org.

Also in Edmonds, the Neverending Bookshop closed with a party on December 17. Owner Annie Carl recently edited the anthology Soul Jar featuring 31 disabled authors exploring disability representation through horror, science fiction, and fantasy stories. Carl plans to focus on her writing career in 2024.