Partners in Print invites the community to tour their new home during a “pre-construction” open house on December 13. Visitors can enjoy a cup of cocoa and tour the facility which will eventually house PIP’s presses and educational activities.
Creative designs for the space by University of Washington students will be on the display. Learn more about the organization’s plans for their collection of old printing presses. There will also be opportunities to print a keepsake of the evening.
Partners in Print’s Pre-Construction Open House takes place on Friday, December 13, 6–9pm, at402 Cedar Street in Seattle, WA. For more information, visit partnersinprint.org.
Pacific Northwest Booksellers Association announced its Book Awards Shortlist during the Fall Tradeshow in September. Selected by an Awards Committee of independent booksellers from Washington, Oregon, Idaho, Montana, and Alaska, the 12 finalists, all written by Northwest authors, were selected from a list of nearly 300 titles submitted for consideration.
PNBA plans to announce the six winners of the 2025 Pacific Northwest Book Awards in early January.
This year’s Book Awards Shortlist is:
Becoming Little Shell by Chris La Tray (Missoula, MT), published by Milkweed Editions
Coexistence by Billy-Ray Belcourt (Vancouver, BC), published by W.W. Norton & Company
Eve by Cat Bohannon (Seattle, WA), published by Alfred A. Knopf
Feeding Ghosts by Tessa Hulls (Seattle, WA), published by Farrar, Straus and Giroux
It Lasts Forever and Then It’s Over by Anne de Marcken (Olympia, WA), published by New Directions Publishing
Log Life by Amy Hevron (Seattle, WA), published by Beach Lane Books
Salmon, Cedar, Rock & Rain by Tim McNulty (Sequim, WA), published by Mountaineers Books
Table Titans Club by Scott Kurtz (Bothell, WA), published by Holiday House
The Liberators by E. J. Koh (Seattle, WA), published by Tin House
Touching the Art by Mattilda Bernstein Sycamore (Seattle, WA), published by Soft Skull Press
We Were the Universe by Kimberly King Parsons (Portland, OR), published by Alfred A. Knopf
Wild and Distant Seas, by Tara Karr Roberts (Moscow, ID), published by W.W. Norton & Company
For more information on the 2025 Pacific Northwest Book Awards, see pnba.org.
Partners in Print (PIP), a nonprofit devoted to the art of letterpress, is planning a move into a physical space in downtown Seattle, Washington.
Starting in 2020, the organization received equipment from School of Visual Concepts (SVC) when they closed their school print shop. Since then, PIP has maintained storage for the equipment. The group has organized Zoom events and pop-ups to introduce people to the joys of letterpress printing.
On October 22, PIP announced that they had signed a lease for a new physical space to house their equipment and serve as a cultural center for letterpress printing. On their Facebook page, they posted “In the coming months, we’ll be fundraising, engaging with designers, contractors, and the larger community to build on everything we’ve learned over the last four years. Together, we’ll reinvent a vibrant new cultural space for letterpress printing in Seattle at 402 Cedar!”
The Belltown location will house PIP’s equipment and give them a space for on-site classes. The organization also plans to continue its community outreach and online activities. “By furthering the 19-year legacy of the SVC Letterpress Program, Partners in Print continues to wield the power of print for the greater good,” states their website.
Top: New home for PIP in the Belltown neighborhood of Seattle (photo top left and top right from PIP Facebook page). Former SVC workshop and letterpress from PIP. For more information see: https://partnersinprint.org/.
Literary Arts is celebrating a decade of producing a successful book festival in Portland, OR. This year’s Portland Book Festival, presented by Wells Fargo, returns Saturday, November 2 to ten stages at six partner venues in downtown Portland’s south Park Blocks. More than 100 authors and interviewers, drop-in writing workshops, pop-up readings, a book fair, and local food trucks return for this 10th annual celebration of books and stories.
Tickets range from $5 to $18 for a general pass. Some author readings require additional tickets. Veterans and youth passes are available for free. Some passes also include a $5 voucher for purchase of books.
Literary Arts offers readers an exclusive peek of the Portland Book Fair on the evening of November 1 including complimentary drinks and hors d’oeuvres. Supporters get early access to the many book sellers and vendors. The Readers Night is an all ages welcome event. The event takes place from 5:30 pm to 7:30 pm at the Portland Art Museum’s Mark Building. Tickets are $75.
The owner of Eagle Harbor Bookstore, several Bainbridge Island authors, and enthusiastic readers have launched the Bainbridge Book Festival. The inaugural event takes place this October.
Nicola Yoon, the New York Times bestselling author of One of Our Kind, will be the keynote speaker at the Launch Party, October 4, at the Stan Pocock Legacy Rowing Center. Tickets, which support the nonprofit festival, will be $125 and include a copy of One of Our Kind. Tickets can be purchased at https://www.bainbridgebookfestival.org/.
The remainder of the Bainbridge Book Festival will take place October 5, 10am to 4pm.
Festival Saturday author events are free and open to all. These talks will take place at the Bainbridge Island Museum of Art (auditorium), the Bainbridge Island Senior/Community Center, and the Stan Pocock Legacy Rowing Center. The full list of participating authors can be seen here: https://www.bainbridgebookfestival.org/2024-festival/festival-saturday/.
Further information about the festival can be found at https://www.bainbridgebookfestival.org/. Bainbridge Island is located in the Puget Sound and can be reached from the mainland by bridge on the Kitsap County side and by ferry from Seattle, WA.
Thank you to Eagle Harbor Bookstore for the information on the festival. Screenshot from festival website. Have an event of interest to independent publishers and indie authors? Send it to bpnwnewnews at aol.com.
Editor/writer Lynn Post of PostScripts Editing encourages writers to unplug and write outside.
Drawing on the idea of plein-air painting, where artists set up outside to capture the moment, Post offers writers the same opportunity to escape stuffy rooms and glowing computer screens in Seattle’s parks.The Plein-Air Prose Posse met in various different natural areas during the month of August for “write-outs.” September brings more formal workshops as well as other writing hikes and walks.
This series of workshops, walks, and community building events take place outdoors in the Seattle area. Writers are encouraged to bring a pen or pencil and paper for creating their prose.
Thanks to Lynn Post and Beth Chapple for photos of August en plein events. Have an event of interest to indie writers and publishers? Send details to bpnwnews at aol.com or follow us on Facebook at https://www.facebook.com/bookpublishersnorthwest.
Oregon’s readers, writers, and independent publishers will have plenty to do this fall.
The Pacific Northwest Booksellers Association (PNBA) Fall Show returns to the Holiday Inn on the Columbia River, September 29 to October 1. The Fall Show is for the trade and features exhibition space for publishers, educational programming for booksellers and librarians, as well as plenty of opportunities for networking with authors, publisher reps, and buyers for bookstores and libraries. Full details available at pnba.org.
The Portland-based Literary Arts is planning for their 40th anniversary, including the opening of a new headquarters and bookstore at 716 SE Grand Avenue later this year. The organization’s Portland Book Festival returns November 2. They are currently taking proposals for Exhibitor Booths and Cover to Cover events at literary-arts.org/about/programs/portland-book-festival/.
For complete listing of all Literary Arts fall events, see their website at literary-arts.org.
Romance readers are known to be passionate about their favorite genre. Now authors and publishers of romance books can connect with fans at Emerald City Romance Author & Reader Event. The all day event takes place at the South Seattle College, 11am to 5pm, on August 17.
Readers can choose from “early access” VIP tickets to be let into the venue at 11am. General admission starts at noon. VIP admission is $30 (limited to less than 100) and general admission will be $10 (expected to cap at 250). Wrist bands will be provided to those who register, and admission includes cost of parking.
Vendors tables range in size and price from $80 to $125. Authors and other vendors reserving a table will receive a box lunch and parking too. Set up for the day begins at 9am on August 17.
Emerald City Romance Writers, previously known as the Greater Seattle Romance Writers of America, promotes excellence in romantic fiction by helping writers become published in the romance genre and providing a place where writers — both published and unpublished — can come for growth, support, inspiration, and education.
Publicist Jenni Tyler promotes the books of Arcadia Publishing. Her “territory” is the West Coast so we took the opportunity to ask her about promoting books and authors in our region. Here’s what she had to say about her job and our friendly book scene.
How did you become a publicist?
I always knew that I wanted to work in publishing, but I initially thought I wanted to be an editor. I attended the Denver Publishing Institute at the University of Denver in 2010, and there I got to see what each role was in the book publishing process. And I just fell in love with publicity. At the time it seemed so glamorous getting to speak with the media and go to events. After DPI, I ended up moving to Charleston, South Carolina and saw that Arcadia Publishing had a job opening in their publicity and marketing department. I’ve been there ever since.
Could you tell us a little about your job for Arcadia Publishing?
Arcadia Publishing is a publisher of local history books, and as such we very much work by territory. I manage the West Coast for publicity and marketing. I reach out to and work with the media, and set up events for my authors to give their book the best coverage possible. Our books are different in terms of publicity because they are so localized – while we would love to see our books reach a national audience, the local audience is going to be our primary audience.
How many books are you currently promoting?
I’m currently working on about 25 books. We work on a rolling schedule so I always have books that have already published, are about to publish, and are pre-publication.
How would you describe the book culture of the Pacific Northwest?
From what I can see from my vantage point, the PNW is made up of readers. Most of our books do well there. I can only speak to this from that local history perspective, but it seems like people love to learn about the history of their towns and the stories surrounding them. Maybe it’s the rainy/foggy atmosphere, it definitely makes great reading weather!
Is it easier or harder to promote a book in the PNW than other regions?
I have worked on the East coast and the Midwest to promote our books, and I would say it is definitely easier to promote in the PNW. Everyone is generally enthusiastic about seeing new books come through and there is not as much competition when it comes to booksellers. The East coast is so small and congested, it feels like there’s a bookstore on every other corner (which, as a book-lover, I fully support!) but that makes it hard to market. If a bookstore has a signing event, the other bookstores within a mile radius aren’t going to also want to host the author because it will bring in the same (but smaller) audience. Whereas in the PNW everything is a little more spread out without taking hours to get between locations.
What do you think is the best thing a publisher or author can do to get their work noticed?
Social media is key these days. Authors need to have a strong social presence to get noticed. Again, our books are very localized, so the media attention we get are also localized (think the local paper or a regional radio station) – so in order to get noticed by a broader audience you have to have a strong social media presence (both the author and the publisher).
Picture of Jenni Tyler and Arcadia Publishing book courtesy of Tyler. To find out more about Arcadia Publishing, visit their website at https://www.arcadiapublishing.com/. Please note an earlier version of this article was attacked by autocorrect and misspelled Tyler’s last name. Our sincere apologies!
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Becky Garrison’s latest book, Distilled in Washington, delves into the fascinating history of making liquor, especially American Single Malt. With a topic like that, Garrison finds herself giving presentations throughout the region that go outside the standard reading and book signing (she does those too!). We asked Garrison for a few tips on engaging readers no matter what size the audience.
Distilled in Washington: A History was published in 2024 by Arcadia Publishing. Garrison will be speaking on “How Whiskey Won Western Washington” at McMenamins at Anderson School in Bothell, WA, on June 25. Doors open at 6pm. For more information see McMenamins’ website at www.mcmenamins.com.
How long a presentation do you normally give?
What I do varies depending on the venue and the audience obviously.
For my upcoming presentation with McMennamin’s Anderson School I’ve been asked to give a 50-60 minute lecture with slides allowing 5-10 minutes for questions. The crowds who come to a History Pub expect to leave being informed with both words and visuals. A whiskey tasting is preceding this event, thus making a very easy transition for tasting to talk.
If the audience is expecting a typical author book event, I try not to read more than 20 minutes, and then use the remaining time to engage the audience. That said, I will have additional sections flagged that I can read if the audience would prefer that I do the talking.
Should I get a very small crowd where reading to say a few folks feels “weird,” I will switch to a more conversational tone by asking them questions that I will then answer extemporaneously. That said, I will tune in and read from the book if I sense this is what they want.
When I’m part of a festival such as Portland Book Week where folks are coming in and out, I keep it loose. If a crowd starts to gather, then I’ll do a reading. If it’s just a few folks coming in and out, then I engage with them individually.
How are you working with Washington distillers?
I’m planning some events with distillers that are timed with their new releases. In these cases, they will do a guided tasting followed by me explaining the history behind what they’re drinking in that glass. These presentations are very interactive will last as long as there’s audience interest.
Also, I will be at the next Washington Distiller’s Guild annual tasting event called Proof. For events like this, the presentation is a short elevator pitch of less than 60 seconds as this is a party not educational space. That said, I will offer to do a slide show of photos from my book or other interactive ways to engage the audience in a fun and playful manner.
What do you think is the best way to do a presentation on a subject that keeps the audience engaged and sells the book?
Think interactive. Unless I am doing a formal lecture where the Q&A is not expected until I end my speech, I open by asking the audience questions relating to my book such as “How do you define whiskey?” When possible, I bring along a friend who has agreed to function as a social lubricant by breaking the ice in answering the first question or two.
If a venue will permit me to serve liquor, I will bring along a few bottles of whiskey along with promotional materials about these whiskeys. I’ll open with a spirits tasting to get the vibe going and then ease into the reading as applicable. When I attend an event of this nature, I will don a T-shirt from a WA State distillery featured in the book.
I have on hand pins and literature from the American Single Malt Whiskey Commission for those who like to take something home. I hold on to items that have a fiscal value such as coupons for free tastings, and distribute on an individual basis.
Also, I bring along postcards of the book with a QR code on the back where folks can order the book. If the venue can sell the book, then I bring along postcards that don’t have a QR code. I’ve chosen not to sell books myself as I still have a few too many books from my last book that came out in March 2020. Simply put, I learned I’m a writer not a marketer and that self-publishing or even semi-traditional publishing isn’t the route for me.
Do you vary your presentation to fit your audience?
Of course. Here I rely on the advice given to me by futurist Brad Sargent when I was preparing to give a talk at the 2009 Slot Festival in Poland. I knew hardly anyone there and was concerned that no one would come to my talk. He said, pray that those who need to hear what you say will come, and that those whose contributions would be disruptive stay at home. This advice continues to serve me well as it keeps me from getting upset if an event doesn’t achieve the desired results.
When people come to events, what is the most frequent question that you are asked about Distilled in Washington?
When most people think of the Washington State’s food and drink culture, they conjure up images of suds or Syrah, not spirits. Hence, they tend to be surprised (and even shocked) wen I inform then that Washington State is one of the leading states in terms of the number of distilleries, and that this is the first book to record the history of distilling in this state. In particular, they are often not aware of the Pacific Northwest’s role as a leading player in the evolution of the American Single Malt category, and how PNW brewers are playing a unique role in the creation of this category. They seem to take pride in learning how this development that has put the PNW on the map as an international player in the whiskey world. Along those lines, they groan a bit when I let them know that this state also has the highest distilling taxes in the country.
Also, whenever I chat up the book, inevitably someone will come up to me and say to me in a whispered voice that their relative was a moonshiner or bootlegger during Prohibition. I encourage them to delve into their family’s history and tell their stories in the hopes that through such storytelling, we can connect to our past filled with pride for our badass ancestors and not become consumed with shame for coming from such lawless stock.
Where’s the most unusual or fun place that you have or are talking about Distilled in Washington this summer?
I am delighted to be asked to give a presentation at McMennamin’s History Pub on June 25 since an academic type presentation is a deviation from the typical book reading. Also, I’m looking forward to doing some joint events with Copperworks at both their Kenmore and Seattle locations as it’s exciting to see people connect with both the stories in the book and then the distiller pouring the whiskey that was informed by these stories.
Distilled in Washington photo courtesy of publisher Arcadia Publishing. Photo of author Becky Garrison (top) courtesy of author.
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